by James Scott Bell
@jamesscottbell

September of 2009 was Dan Brown week in the world of publishing. It had been six years since his mega-hit The Da Vinci Code. There was a lot of excitement about his new book, The Lost Symbol. Doubleday needed a huge hardcover bestseller in the midst of what’s been called “The Great Recession.” They got one.

The book had a first printing of 6.5 million and sold a million in hardcover and ebook the first day. It debuted at #1 on the NY Times list and stayed there for six weeks.

So why did it take Dan Brown six years to write it? He explained:

“The thing that happened to me and must happen to any writer who’s had success, is that I temporarily became very self-aware. Instead of writing and saying, ‘This is what the character does,’ you say, ‘Wait, millions of people are going to read this.’ It’s sort of like a tennis player who thinks too hard about a stroke—you’re temporarily crippled.”

What happened to Dan Brown on a mega level happens to most writers who publish more than one book. A lot of unpublished writers think things will be just swell once they’re published, and that they can produce book after book with nary a worry. (Insert here the usual jeremiad about AI-slop.)

For those who take writing seriously, who want to keep producing good work, the writing sometimes gets harder, not easier, as some would think. I’ve found this to be true for myself and for many of my published writer friends.

Why should this be? I think it’s because with each book, we know more about the craft and, consequently, where we fall short. We raise the bar because we hope to grow a readership. We want to keep pleasing them, surprising them, delighting them with plot twists, great characters, and a bit of stylistic flair. We keep pursuing that storied “next level.” That can bring on what I call “The Next-Book Willies.”

Dan Brown dealt with TNBW by hanging upside down in “gravity boots.” It seemed to “help me solve plot challenges by shifting my entire perspective.” But then: “My wife was very concerned that I would pull myself up into these gravity boots and not have the strength someday to get back down. I’d just be hanging there forever. So I now use an inversion table.”

Other writers have similar quirks:

Roald Dahl at least wrote sitting down, but insisted on climbing into a sleeping bag before doing so. Truman Capote (In Cold Blood; Breakfast at Tiffany’s) supposedly wrote lying down, a coffee – then a sherry, then a martini – in one hand and a pencil in another….Philip Pullman can only write in ballpoint on lined A4 paper that has two holes in it (not four)….John Cheever, in a 1978 Newsweek essay, confessed that the publication of a definitive collection of his great short stories was “in no way eclipsed by the fact that a great many … were written in my underwear.”

Victor Hugo (Les Misérables) allegedly asked his valet to hide his clothes and wrote in the nude – or at least, on cold days, wrapped in a blanket – so he could not go outside.

Here are a few, er, more normal practices I would suggest, all of which I’ve employed. Not surprisingly, the first is, WRITE. Start a free-form journal and just go. Begin entries with “I remember . . .” or “I really hate…” or “I wish…” This is not work on your WIP. It’s giving permission to your brain to come out and play. When you are working on your WIP, consider starting each stint with a Sue Grafton-style novel journal.

RE-READ. Pull out a favorite novel and read parts of it at random, or even the whole thing. Don’t worry about feeling even worse because you think you can’t write like that author. You’re not supposed to. You never can. But guess what? They can’t write like you, either.

INCUBATE. For half an hour, think hard about your project, writing notes to yourself, asking questions. Back yourself into tight corners. Then put all that away for a day and do other stuff. Your Boys in the Basement will get to work and good things will start bubbling up. For an advanced session, try going 6 hours without phone, computer, tablet, or TV. (Think that’s easy these days? Just try it!) ! You can use a pen and paper if you like. I recommend doodling.

BLOOD TO BRAIN. If you want to try gravity boots, be my guest. What I do is lie on my back and put my legs up on a chair or bed, and then do some deep breathing and relaxing for 15-25 minutes. This is especially helpful to get through the afternoon blahs.

So what about you? Have you ever had the “next-book willies”? What do you do to overcome this, or other forms of writer’s block?