A Writer’s Inner Voice?

by Clare Langley-Hawthorne

I’ve just returned from a ten day trip to Australia and, apart from a vestiges of jet lag, I’m also suffering from what I like to term ‘character withdrawal’. This has occurred because, despite my good intentions, I didn’t manage to get any writing done while I was away (my laptop remained firmly ensconced in my backpack, never to be opened). So now, as I hazily return to normality, I face a temporary silence – the voices of my characters have been mute  for too long (and, I suspect, they’re a bit miffed about this…so they may actually be ignoring me). Oh, I’ve had the occasional glimpse of a scene, and a fragment of conversation maybe, but by and large I forgot my characters amidst the whirl of a family wedding and reunion.  Now I’m going to have to listen hard to let these characters voices be heard once more.

So I was intrigued by a project conducted at the Edinburgh International Book Festival this year in which writers were asked about how they found their characters’ voices. More than 100 writers have so far participated in the project, responding in terms of how they experience their characters’ voices, and how this process had changed over their careers.  A short summary of some of the initial findings of the study can be read here

The most interesting finding for me (at least) was that many writers have different experiences when it comes to their primary and secondary characters. For primary characters/story protagonists writers reported that they tended to see the world through this character’s eyes, inhabiting that character’s interior life. They often found, at least early in their careers, difficulty in distinguishing their own ‘author’s voice’ from that of their main character. These writers felt as though the main character was formed through their own voice, often expressing what they, as the author, felt but could not express in real life (hmm…interesting…) 

For secondary or minor characters, writers reported that they ‘saw’ them more visually rather than hearing (or being a conduit for, perhaps) that character’s voice.  Many writers in the study also reported that as their writing careers progressed they found they were able to distance their own ‘author’s voice’ from the character’s voice and thus create primary characters that were no longer versions of themselves.

I’ve often wondered how other writers access their characters’  voices  For me it tends to be a visual as well as an auditory experience – but it is true that often I cannot picture my main character as clearly as I can visualize the other characters, because I am, in many ways viewing my fictional world through the eyes of that main character. 

So as I spend the next few days listening once more to my ‘inner voices’ and coming back to my writing, I wonder…how do you access your characters? Do you ‘hear’ their voices? Do you experience the process differently when it comes to your protagonist versus your secondary characters?