Category Archives: historical accuracy

So much for the Glory Days

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by Clare Langley-Hawthorne

Just a short blog today as I’m on the road – the railroad that is. My family and I are riding the California Zephyr from Emeryville to Denver for Spring Break (who knew preschools had Spring Break?!) While jostling along enjoying the magnificent scenery I couldn’t help but reflect that the glory days of the American railroad are well and truly gone. Though I could just about pretend at night in the sleeper (when I closed my eyes) what it must have been like in the 19th century to travel this way (in much more luxurious surroundings – sigh!) the pathetic ‘amenities’ and airline quality food soon dispelled any imaginings I may have had. So this got me wondering – how does a writer successfully evoke the past when so much today has abandoned any notion of respect for it? This then led (as my muse often does) to more immediate issues at hand as I write the third Ursula Marlow book – how does an author balance action and atmosphere when the book must get people turning the pages as well as evoking the past?

It’s a tough balance to achieve – especially when I want to utilize all the senses to help modern readers get a whiff of how Edwardian London must have smelled, sounded and felt. It’s easy when I’m in London where the past shadows every footfall down the streets and alleyways – but here in America? – in some of the towns I passed on the train? – how to make the past accessible to them? How to recreate life as it then was while also telling a thumping good story?

Who do you think achieves this balance successfully?

I can tell you one thing – I won’t be using Amtrak as my guide…

You’ve got to be Brave. The Revision Process at One AM.

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By Clare Langley-Hawthorne
www.clarelangleyhawthorne.com

I’ve spent the whole weekend knee deep in revisions for my latest manuscript and I believe me, this aspect of writing is as challenging as writing the first full draft. Granted I forced my husband to be on twin duty the whole time, so he’s probably still recovering too, but it made me realize how much the writing process really is just that – a long and detailed (often arduous) process.

Writing historical fiction means that I have to incorporate a sense of time and place that is backed up by significant amounts of research. It also means that at every point in the revision process I find myself second-guessing historical accuracy. Not just the big stuff like making sure my characters aren’t jumping aboard the Concorde in 1912 but the little stuff, like the nuances of speech, use of slang, and the way people perceived the world around them. Sometimes I have to confess, if I don’t know and can’t find the answer I just go with my gut and make it up. Hey, this is fiction after all.

I view revising as adding the second and third coats of paint to a project – each layer adds a subtly and a depth to the characters, to the setting, and to the themes that swirl around the plot. What I find the biggest challenge is avoiding what I call ‘tinkering’ – changing my mind over a minute plot point only to find it has rolling ramifications and then (in total disgust) I find I have to go all the way back and return it all to the way it was. I guess this is what people call a ‘learning process’ but I seem to be a bit ‘learning challenged’ when it comes to this – and still find myself adding complexity where NO MORE is needed! ‘Keep It Simple Stupid’ is a motto I need to have branded to my forehead.


Those who want to see the writing process in action can find me sitting in my writing studio, a converted garage in the back of our house, bleary eyed at one o’clock in the morning, determined to finish the next chapter as I’m ‘on a roll’. I might be on the internet checking on a historical reference, looking up the architecture for a historic home or searching The Times database for an event the latest fashions for that year. I might even be using the delete key to liberal advantage as part of the revision process involves getting rid of all the extraneous stuff that I find stops the flow of the narrative (sometimes bringing tears to my eyes if it was a point of historical research I spent hours on!)

Yesterday I deleted a whole chapter – painful but necessary. I then merged two minor characters to streamline the plot. I decided one scene moved like molasses and I got bogged down in worrying whether the house should have gothic archways or not…Time passed. It was one am…Time to call it quits till the red pen, the axe and the delete key were brought back out to do it all again.

Ah the joys of revision. You just got to be brave…